Television
As an Editor on 90 Day: The Single life I was responsible creating fully cut and scored scenes from multicam stringouts. I worked closely with story producers and other editors to define story, pacing, and the creative flair of the show. As well as addressing all ranges of notes from executives producers through network notes on a quick turnaround. I also worked on act teases and next time on teases during the course of the show. Plus, handled some graphic requests including hero shots.
90 DAY FIANCE: Before tHE 90 DAYS
Editor | Season 5 | TLC | Sharp Entertainment
As an Editor on 90 Day Fiance: Before the 90 Days I was responsible creating fully cut and scored scenes from multicam stringouts. I worked closely with story producers and other editors to define story, pacing, and the creative flair of the show. As well as addressing all ranges of notes from executives producers through network notes on a quick turnaround. I also worked on act teases and next time on teases during the course of the show.
As an Editor on 90 Day Fiance: Happily Ever After Tell All I was responsible working with a team of editors and producers to work with 6+ multicam studio footage as well as extensive behind the scenes verite to create the final multi hour edit. This processs included addressing all ranges of notes from executives producers through network notes on a quick turnaround. I also worked on act teases and next time on teases during the course of the show.
As an Editor on 90 Darcey & Stacey I worked with a team of editors and producers on the main series during season 2. This work involved creating fully cut and scored scenes from multicam stringouts. I worked closely with story producers and other editors to define story, pacing, and the creative flair of the show. As well as addressing all ranges of notes from executives producers through network notes on a quick turnaround. I also edited a recap special with a much smaller team to reintroduce audiences their story.
As an Editor on 90 Day: The Single life I was responsible creating fully cut and scored scenes from multicam stringouts. I worked closely with story producers and other editors to define story, pacing, and the creative flair of the show. As well as addressing all ranges of notes from executives producers through network notes on a quick turnaround. I also worked on act teases and next time on teases during the course of the show. Plus, handled some graphic requests including hero shots.
As an Editor/Producer on B90 Strikes Back I was responsible for turning raw footage into a fully cut scene on very tight deadlines. With a tight knit team we worked through rounds of internal and network notes working until each episode was ready for air. I also created the Social Media graphic templates for all posts used throughout the show.
Killing fields: Murder isle
Junior Editor | Season 3 | Discovery | ITV Creative
As a Junior Editor for Killing Fields: Murder Isle, I was responsible for editing scenes, podbusters, next ons, previously ons, Season Teases, and Snap-in content. I was also responsible for addressing producer and network notes for a variety of content including full episodes, specific acts, and scenes. I also assisted with finding, organizing, and creating broll selects.
As a Junior Editor for Tesla's Death Ray: A Murder Declassified, I was responsible for editing scenes, podbusters, next ons, previously ons, Season Teases, and Snap-in content. I was also responsible for addressing producer and network notes for a variety of content including full episodes, specific acts, and scenes.
90 DAY FIANCE: Before tHE 90 DAYS
Lead Assistant Editor | Seasons 2-4 | TLC | Sharp Entertainment
As the lead Assistant Editor on Before the 90 Days I was responsible for or organizing, and transcoding all footage. I was also responsible for sync-ing, creating multigroups, project organization, exporting cuts. In addition to these tasks I also created all social media graphics and hero cards used in the show. During the online stage of post production, I was responsible for seeing the show through delivery including blurs, title passes, and assisting with online notes. I was also responsible for creating green screen templates and developing a workflow to ensure quick access to green screen footage. I was also able to cut Teases and snap-ins and network selects when time permitted.
As a Junior Editor for Top X: Bible Weather I was responsible for organizing and ingesting all stock footage. I was also responsible for sync-ing, creating multigroups, project organization, and exporting cuts. I also edited promos and graphics for the show.
Killing fields
Lead Assistant Editor | Season 2 | Discovery | ITV Creative
As a Lead Assistant Editor For Killing Fields Season 2, I was responsible for organizing, and transcoding all footage. I was also responsible for sync-ing, creating multigroups, project organization, exporting cuts, upres-ing, prepping for online, creating AAFs for mix. During the online stage of post production I did final title passes, blurs, online notes, final shot replacements, and created final exports for delivery. I also had opportunities to cut pod busters and snap-ins for some episodes.
As a Lead Assistant Editor For The Real Housewives of New Jersey, I was responsible for organizing, and transcoding all footage. I was also responsible for sync-ing, creating multigroups, project organization, exporting cuts, upres-ing, prepping for online, creating AAFs for mix. During the online stage of production I did final title passes, blurs, online notes, final shot replacements, and created final exports for delivery.
Thicker than water: the Tankards
Lead Assistant Editor | Season 3 | Bravo | ITV Creative
As a Lead Assistant Editor For Thicker Than Water, I was responsible for organizing, and transcoding all footage. I was also responsible for sync-ing, creating multigroups, project organization, exporting cuts, upres-ing, prepping for online, creating AAFs for mix. During the online stage of production I did final title passes, blurs, online notes, final shot replacements, and created final exports for delivery. I also had opportunities to cut pod busters and snap-ins for some episodes.
As an Assistant Editor For Manzo’d with Children, I was responsible for organizing, and transcoding footage. I was also responsible for sync-ing, creating multigroups, project organization, exporting cuts, upres-ing, prepping for online, creating AAFs for mix. During the online stage of production I did final title passes, blurs, online notes, final shot replacements, and created final exports for delivery.
Blood Sweat and Heels
Assistant Editor | Season 2 | Bravo | ITV Creative
As an Assistant Editor For Blood Sweat and Heels, I was responsible for organizing, and transcoding footage. I was also responsible for sync-ing, creating multigroups, project organization, exporting cuts, upres-ing, prepping for online, creating AAFs for mix. During the online stage of production I did final title passes, blurs, online notes, final shot replacements, and created final exports for delivery.
As an Assistant Editor For Coast Guard Alaska, I was responsible for organizing, and transcoding all footage. I was also responsible for sync-ing, creating multigroups, project organization, exporting cuts, upres-ing, prepping for online, creating AAFs for mix.
Coast Guard: Cape Disappointment - Pacific Northwest
Assistant Editor |
The Weather Channel | Al Roker Entertainment
As an Assistant Editor For Coast Guard Alaska, I was responsible for organizing, and transcoding all footage. I was also responsible for sync-ing, creating multigroups, project organization, exporting cuts, upres-ing, prepping for online, creating AAFs for mix.